Lately I’ve noticed a trend in query letters that does not involve overused supernatural beings or the dreaded rhetorical question. This trend is new to me, but maybe other agents have experienced it. In several letters, the authors, those who happen to be teenagers, are apologizing for their ages.
As far as query trends go, this is probably the least annoying, but writers – young writers – don’t do this! Apologizing for yourself not only weakens you right out of the gate, but it’s also completely unnecessary. I mean, did Mozart ever say “Sorry guys, I know I’m only six years old, but I’m about to blow your mind?” No. All he did was blow people’s minds! No apology offered or needed.
Evidence of amazing teen writers is everywhere. S.E. Hinton, Amelia Atwater-Rhodes, Nick McDonell, and Christopher Paolini were all successful teen authors. And the new class featuring the likes of Steph Bowe (GIRL SAVES BOY) and Kody Keplinger (THE DUFF) looks pretty impressive too! (Both writers were highlighted during the Glass Cases “Teen Writers Week” back in April – see Steph’s profile and Kody’s profile for more info on them!) I doubt today’s young writers feel as if they don’t deserve recognition for their work just because they never had to write it on a typewriter. Just as I’m sure the former teen all-stars don’t feel guilty or ashamed of their early successes.
When I am reading queries, I never wonder how old the writer is. Honestly, I don’t care at all until they tell me, and even then I just say “hm.. that seemed unnecessary.” If you want to stick in at the end of your pitch that you are a freshman in high school (well, only if this is true), then go ahead. It might catch my eye ONLY if the novel is of any interest to me. And if you are a freshman in high school and researching agents at all, I think that’s pretty impressive, so please don’t apologize for it!
Likewise, I’ve received queries from people in their sixties and seventies who have also felt the need to tell me their ages. This, I understand even less. As with their younger counterparts, these writers also ask for forgiveness for being “so old,” especially if they do not have previous writing credentials. But when they’re not apologizing for things they cannot control, they are attributing various obstacles involved in completing their novels to their ages, as if being sixty-eight years old is somehow akin to having no legs, arms, or eyes.
If I reject a ninety-year-old, it’s because the novel wasn’t for me, not because the writer is ninety. And if I make an offer to a twelve-year-old, it’s because I loved his or her work, not because I love the idea of exploiting their wunderkind-ness to my advantage. The writing is what matters, and good writing transcends age. Always.
Sure, I might be impressed if I read what I think is the next Gatsby, only to find out the writer is eleven, but age will never be a deal-breaker, whether positive or negative. On the flip side of that, sometimes it is obvious that a writer is not quite mature enough to tell the story he or she is trying to tell, but again, it has nothing to do with their actual age. In the same way a memoirist requires distance and perspective to create a truly effective piece, young writers need time and space and, more often, practice to create an objectively “good” story. Just like the rest of us.
So whether you were born in the Clinton administration or the Hoover, please stop being so sorry and let your writing speak for itself.